Flags of Our Fathers (2006)
An amazing accomplishment
I've always felt that when you fictionalize a story about war, you
dishonor the memory of so many people who have a compelling story to
tell by choosing to make something up instead
The problem with war movies about real people is that you have to deal
with complexities of character and plot that the genre simply doesn't
lend itself easily to.
So when the story at hand aims to pose questions like "what does it
mean to do the wrong things for the right reasons" and tries to debunk
the popular myth of herodom, there's very little margin for error.
Enter Clint Eastwood. Never one to shy away from challenging stories,
this is a much bigger effort than his usual understated character
dramas. On the one hand, it doesn't "feel" like a Clint Eastwood movie,
but on the other, it feels at home in his themes of used-up heroes --
the person behind the larger than life persona. These are complex
characters in very difficult situations, and he presents them in a way
that's straightforward and non-judgmental, so we're left to decide the
answers to the film's central conflicts ourselves.
To a person, the cast is up to the challenge. It's hard not to admire
Ryan Phillippe for a restrained and thoughtful performance, but the
real kudos go to Adam Beach. Almost every aspect of Beach's character
is cliché, with one minor exception - that's really the way Ira Hayes
was. So the challenge was to portray Hayes as a real person despite the
cliché, and the result is one of the most heartbreaking and troubling
performances in the film. Here's a guy who is portrayed as a hero, who
really has no answers at all.
There's a lot not to like about the film. It's not "entertaining" per
se, in the same way that any war memorial in DC is not entertaining.
Nor is it a particularly approachable film. What it lacks in
popcorn-munching entertainment value, it replaces with gravitas. This
is an important film, about an important time. It's status as a
valuable history lesson is secondary to it's reflections on human
nature and our society. As such, it deserves to be seen, and
contemplated, and appreciated.
I can't wait for Letters From Iwo Jima (the companion piece, also from
Clint Eastwood, told from the Japanese point of view.) Taken together,
the scope of this project is breathtaking.
|Nr of disks/tapes:||2|
|Storage device:||Divx 5|