10,000 BC

The Big Red One (1980)
"The real glory of war is surviving. "
The story of a sergeant and the inner core members of his unit as they try to serve in and survive World War II.
Lee Marvin The Sergeant
Mark Hamill Pvt. Griff, 1st Squad
Robert Carradine Pvt. Zab, 1st Squad
Bobby Di Cicco Pvt. Vinci, 1st Squad
Kelly Ward Pvt. Johnson, 1st Squad
St├ęphane Audran Underground Walloon fighter at asylum (as Stephane Audran)
Siegfried Rauch Schroeder (German sergeant)
Serge Marquand Rensonnet
Charles Macaulay General / captain
Alain Doutey Broban (Vichy sergeant)
Maurice Marsac Vichy colonel
Colin Gilbert Dog Face POW
Joseph Clark Pvt. Shep (soldier on troop transport)
Ken Campbell Pvt. Lemchek (#2 on Bangalore torpedo)
Doug Werner Switolski
Perry Lang Pvt. Kaiser, 1st Squad
Howard Delman Pvt. Smitty (soldier who trips mine)
Marthe Villalonga Madame Marbaise
Giovanna Galletti Woman in Sicilian village (as Giovanna Galetti)
Gregori Buimistre The Hun (German soldier killed by The Sergeant in WWI sequence)
Shimon Barr German male nurse in Tunisian hospital
Matteo Zoffoli Sicilian boy - Matteo
Abraham Ronai German Field Marshall
Galit Rotman Pregnant Frenchwoman
Samuel Fuller Barney the War Correspondant (scenes deleted)
Pascal Breuer Hitler Youth (uncredited)
Walter Flesch Colonel (uncredited)
Anat Harel Graziella (uncredited)
Ulli Kinalzik Gerd (uncredited)
Christa Lang German Countess (extended edition) (uncredited)
Guy Marchand Captain Chapier (uncredited)
Yosef Polak Herr Green Shirt (uncredited)
Producer: Gene Corman,Douglas Freeman,Richard Schickel
Writer: Samuel Fuller
Groundbreaking war film, as misunderstood as the title.
Less than 5 years after the Vietnam War officially ended, Director and acclaimed (but aged) film writer Sam Fuller attempted to recount the experiences he encountered while serving as an infantry soldier in the European Theatre of WW2. He had written many war scripts in his day, but fully realized that the world would not be ready for the true story of WW2, (He is quoted infamously as saying that a truly realistic war picture would involve live grenades and machine guns in the theatre). As his career ended and the world changed, he decided to make a go of his life long pet project... to make a film about the REAL story of WW2, about his own experiences in the Big Red One, or The First Infantry Division.

Too ahead of it's time to be appreciated during it's birth, and too dated to be appreciated in hindsight.

Some of the other user comments suggest this film is inferior to modern war films. Of course this film is not at the caliber of Saving Private Ryan or Band of Brothers in it's war scenes. How could it? When it is of a time closer to The Green Berets (John Wayne wins The Vietnam War) then to anything that came after it. Infact I would go as far as to say that this film broke the first ground, and made films like Platoon, Hamburger Hill, and Full Metal Jacket socially acceptable, and paved the way for films like Saving Private Ryan. Sure, Apocalypse Now has better War scenes, but is so fictional in it's scripting and "epic" war moments that it missed the point of the soldier on the front (and is widely regarded as being unrealistic by Vietnam Vets). The Big Red One tells the story from a WW2 Vet's point of view, Sam Fuller, and is wonderfully acted by a WW2 vet, Lee Marvin. Perhaps the last film to have such credits.

Sure, The Big Red One is cheesy, and harkens to a time when war films were more about the characters, then the violence. Still, there is something charming about the scripting, and Lee Marvin holds the movie together, while being surrounded by actors who were trendy on the cheap for 1979. The film also has technical inaccuracy, as in the Sherman tanks used as Panzers. However, the real strength of the film is in the script, and not in the battles. It breaks ground in it's defiance of films like the Sands of Iwa Jima. The soldier is not a clean sterile fighter for the holiest do goodynest army of all time, he is a human being locked in a battle for survival, and most importantly, he hasn't lost his sense of humor, or his libido.

Regardless of it's dated, almost 70's TV movie feel, I must mention that this film was first to show D-Day in a light other than that cast by The Longest Day, and uses some very clever cinematography to illustrate the violence. Sam Fuller consciously decided to make the battles less violent, and choose to focus on the characters instead, depicted the main characters as cynical and the fallen as humorous tragically short lived figures. This film also was first to introduce words like "replacement", "non-Coms" and "Krouts" to the war movie dictionary. It has the entire bangalore scene from Saving Private Ryan (although merely a concept compared to SPR) and shows North Africa, Italy, France, Germany, and a concentration camp. Before this film, WW2 was only depicted in such an epic manor that Bible films are seemingly tame.

THE BOTTOM LINE: This film was one of the last war pictures to emerge from the dying studio system, and is comparable in the way of battles to The Green Berets, Longest Day, etc. However it shines in the script category. and was first to show soldiers as young clumsy men, and not heroes. It attempts almost too much and that is it's strongest limitation. Still, a must see for war movie fans who can appreciate the older films. 7/10.

User credit 1:1001 movies you must see before you die
User credit 2:665
Storage device:DVD
Imdb rating: 7.3
Musician: Dana Kaproff
Running time: 113 min / 162 min (reconstructed version)
Subtitles: Svenska
Audio tracks: Dolby Digital 5.1 [English]
Everything else:
Last modified: 2008-04-28 17:03:00