A Dream World by DreamWorks
Shrek has now vanquished the fire-breathing dragon, eradicated the evil
Lord Farquaad and married his Princess Fiona. But now he is facing his
biggest challenge yet – meeting Fiona's parents in the Land of Far, Far
Away. Dreamworks' second animated installment in the Shrek series was
the surprise of the year for me, because it really is every bit as
funny as its predecessor – but perhaps not as original or novel, and
therefore not as memorable.
The animation, on the other hand, is perfected this time around.
Dreamworks always go all the way in this aspect and the result is
top-notch and easily exceeds that of its peers (Pixar, Blue Skye
Studios). The greatest showcase for this manifests itself in the
beginning of the film as Shrek, Fiona and Donkey set out to the Land of
Far, Far Away in a horse-driven carriage and travel across mountains,
fields, woods and passes – this journey features such gorgeously
striking visuals of its scenery that it just touches me. It is
downright aesthetically intoxicating.
Its wide-ranging gallery of eccentric characters have also been paid
great attention to – this time gloriously supported by A-list actors
(John Cleese, Julie Andrews, Rupert Everett) – both in animation and in
story. Although Shrek and Fiona are still largely central to the story
they now occasionally take a backseat to the new sparkling creatures
like Puss-in-Boots, Fairy Godmother, Fiona's parents and yet more of
Pinnocchio, Gingie and their crew in the swamp. The film is having a
lot of self-referential fun in navigating its many story lines and
inside-jokes and it makes no pretense about it. Shrek 2 is therefore
positively peppered with rapid-fire dialogue, deadpan humour,
pop-culture references and homages (to Ghost Busters, Blazing Saddles,
The Lord of the Rings and MORE). It's a little more brave, and a little
less serious.
The most credit is however due to its score. I'll admit that I don't
know much about subtle musical scores in films, nor is it something
that I always pick up on, but in Shrek is becomes the film. Eels make a
great appearance in the soundtrack, as does alternative rock songs and
classic songs (Funkytown - Lipps, Inc.) – it's amazingly catchy and
thanks to its continuous scoring (music in some form in nearly every
scene) it invests the film in a sort of lyrical flow. It all fits
perfectly and smoothly with the fluid animation and the fairytale
setting. It's a dream world beautifully captured by Dreamworks.
Although its key plot outline of Shrek meeting Fiona's parents and
feeling inadequate is well-sketched, it suffers numerous diversions
that take the form of jokes, detours and supporting characters,
massively straying from the template – all of which you cannot help but
feel do not quite belong in the story, and serve only the purpose of
blatant humour and homages. There is nothing wrong with that per se,
but the film occasionally feels a bit disjointed because of it. Its
disorganisation is its fatal flaw but there is another woeful mistake
in Shrek 2 – its final, cheesy song-and-dancer number at the end. WHY
or WHY do so many films fall prey to this horrible device?!
Granted, the latter is not enough to ruin a film on its own but it does
remind me of a rather nasty approach that you occasionally feel it
takes. Letting its actors shine. Parts of Shrek 2 thereby acts more as
an elaborate excuse to parade the 'fun, quirky' actors behind the
characters (Antonio Banderas' Hispanic accent seems to be an endless
source of amusement as far as the film is concerned). This approach,
combined with its slight disorganisation makes this sequel slightly
inferior to Shrek I. It is, however, a very funny film that caters to
all ages.
7 out of 10
Personal| Seen it: | Ja |
| Nr of disks/tapes: | 1 |
| Storage device: | Divx 4 |
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